Tuesday, February 15, 2011

Atlanta: The Crowes Former Stomping Grounds


Back in June of last summer, I tapped out a letter to Black Crowes Drummer Steve Gorman about where the Crowes called home back when Atlanta was HQ, as part of the “Whats Wrong with Steve” feature on the official BC website. As a huge fan most of my life, I was surprised at how familiar I was with the areas he mentioned in his answer—-I’ve probably passed the house in Candler Park many times and have been a regular at Wax n’ Facts for years.

Read on for his amusing take on an Emory bar, the Pot Festival in Piedmont Park, and paying utilities with Chris Robinson.

June 2nd, 2010

Hey Steve,
I live in Atlanta, but didn’t move here till the beginning of this last decade. Even though it’s the Crowes’ former stomping grounds, I can find close to no remnants of you fellas here, save for a sticker of the old logo on a bathroom wall somewhere in Little 5 Points and a snapshot of a unenthusiastic Chris in the Silver Skillet on 14th street. Are there any landmarks of interesting Crowes history that I should be aware of? And please, if all possible, avoid playing at Chastain Park again. I got a bud who gets lost in the horse stables every time we go.

Alex in Atlanta


Alex

I am sure you’ve noticed that we’re playing the Tabernacle this time around. I can’t stand the thought of your friend suffering the indignity of another night spent lost in the stables, so I’ve taken action. You’re welcome.

As for remnants of us in our old stomping grounds, there are still a few to see if you know where to look.

Here are a few suggestions:

You can take the MARTA to Candler Park and see the house where Chris, Sven, our friend Clint, and I lived in 1987. When you get off the train, take the escalator down on the Candler Park side and walk in a straight line out of the parking lot. Cross the street and you’ll literally walk right into our old front door, at 292 Oakdale Road.

Mr. Crowes Garden (Chris, Rich, and some other dudes) and Mary My Hope (Sven, Clint, me, and another dude) both used the middle room of the house as a rehearsal space. I don’t think we mentioned to the landlord as we were moving in that we were planning to rehearse there, but you know how those things go. We packed about ten years of excitement into less than twelve actual months of living there.

Four people paid rent, $112.50 each per month, and about 10 other people crashed there on a regular basis.

Trust me that the house you see today bears little resemblance to the shit hole that we evacuated in the fall of ’87. Someone put a lot of time, money, and effort into turning that dump around, I assure you.

In those days, we hung out at the Dugout on Oxford Road in Emory Village. It was the best music club in town for a brief spell in the spring of ’87 but that era ended when the place got shut down for serving alcohol to minors. As the doorman of the establishment, I plead the 5th as to how that sort of thing might have happened. The Dugout is now, and has been for many years, a bookstore. If you go there, just picture me in the front doorway aggressively denying entry to each and every Emory frat boy that approached, while at the same time happily allowing any girl who looked at least 16 (fake ID complete with 1966 birthdate or not) to enter with a nonchalant wave of my hand.

You could swing by Wax n Facts in Little 5 Points, where I “worked” after the Dugout closed but more importantly, where Chris and I would regularly loiter for hours and hours arguing over which Nick Drake record was the best and strategizing about where we could find free beer on any given night.

Around the corner from there is the North High Ridge apartment complex, where Chris and I lived for about 6 months after the Oakdale house fell apart. In that time span, not one utility bill was paid on time or in full. Good times.

You can check out Piedmont Park, where we played the Pot Festival in 1992. That was a good day. We played on a stage at the bottom of the hill off of 10th Street, close to the Piedmont Avenue side. There were about six hundred million people there, or so it seemed, and I remember thinking very clearly during that show that we were pretty badass. I later lived in that neighborhood for five years and walked my dog there every day, so the park has a lot of great memories for me.

Finally (because if I don’t stop now, this answer will turn into a book and I am not planning on writing that until next year) you can go to the corner of Mount Paran Road and Jett Road in Northwest Atlanta. On the NW corner of this intersection, you’ll see the house that Chris bought after the first tour and where, in the garage, we put together the songs that became SHAMC.

Across the street, on the SE corner, you’ll find the house where, four years later, we recorded TSAOC. That’s another house we rented without telling the landlords what we were doing. To this day, I doubt seriously that whoever owns that house has any idea that an album was made there.

Okay, that’s enough of a jog down memory lane for today.

When you have checked these spots off your list, and paid proper homage at each, let me know and I’ll come up with some more.

SG

Valentines Day w/ Galactic


Galactic never, NEVER disappoints.

Its amazing how a group can stick to, and evolve, a singular brand, styling and sound yet have a near-nightly rotating cast of guest vocalists and musicians. Corey Glover from Living Colour may have been the best singer yet (just ahead of to Charli 2na or Cyril Neville IMO.)

One thing’s for sure, I’ve been able to turn this band onto more of my friends than anyone else. More than the Crowes (tix always too expensive) or Phish (too far away) or Claypool (too weird) or those guys at moe/tribe/cheese/keller/lotus/MMJ/umph that are always a lot of fun. Galactic just has a little for everybody.

And Corey Henry is the perfect frontman. Stay, Boe Money, please.


Footage of Galactic I shot at Tipitinas in NOLA last Halloween

Friday, February 11, 2011

Robert Plant’s new album Band of Joy sounds like a collection of Robert Plant tracks that didn’t meet the cut of Dreamland, the fantastic Mighty Rearranger, or even the near perfect Rising Sand with Allison K. That, and there is the faintest hint of desperation in trying to replicate the T Bone Burnett sound from the latter album. This might not be a fair observation, since both Dreamland and Rearranger established the hard-edge, psychedelic tribal blues style that Burnett softened (and improved) with the singer’s colaberation with Ms. Krauss. Band of Joy seems to contain tracks that could have been recorded during any one of the sessions, which wouldn’t be a bad thing if they were semi-consistent.

To his credit, Plant has a legacy rivaling Zeppelin. And deserving so. His voice has aged beautifully, and arguably better than any possible contemporary. Its easy to take for granted a voice as an instrument, one that can adapt a style and subsistence over time that can be expanded upon and still never perfected.

Tuesday, February 8, 2011

The Captain in Me


Logging tapes for TBS today in the Intern cubie and listening to a copy of the Doobie Bros’ 3rd album “The Captain and Me,” which everyone can grab for a measly $5 at that tattered Walmart CD bin outside the Valentines isle.


Its an interesting listen, one that reiterates the fact that the Doobies were never a consistent band when it comes to sound. Maybe that’s why their legacy isn’t as enormous as Skynyrd or the golden age Allmans or even Kansas. There is simply too much variety that sounds too much like other groups, as opposed to variety that adapts to a singular pace or sound or ownership.

Don’t get me wrong, this is some great music. Long Train Runnin’, China Grove and South City Midnight Lady are instant classics, and ones I will always keep on a best-of playlist on my ipod. Without You is a fantastic 5 mins, obviously born out of a damp amphitheater jam, with enough echo and swirl to conjure images of thousands of groggy festival-goers bobbing up and down to a mid-evening set on the 2nd or 3rd day of a hot weekend. Take a Listen

Funny, I’ve been playing air-piano to China Grove since 10th grade, but never new it was Bill Payne from Little Feat.

Thursday, February 3, 2011

Blogspot

Well, unfortunately my old blog with all the old music stuff got pushed to the side when I switched over to blogspot. I was messing with the Old Azul Blog too, and Lucky I backed it all up on my little thumb. May get around to re-posting it someday. Some of it can be reached here.

Stay tuned, stay tall.